The stage is covered with them, drifts and piles of them. Collapsing beauty, decay, loss, remorse, and nostalgia for the long past autumns of childhood are all evoked by the dying foliage bathed in a golden light, courtesy of Guiseppe Condello .
At the back of the stage hangs an industrial window, the frame rusted, the panes dirty with one visibly cracked. Downstage, a man in middle age uses a park bench as a balance beam, walking the planks with his arms out, then pitching pebbles at the fractured pane of glass.
This is Bobby (Wes Berger) and he's here to meet his childhood sweetheart, Tina (Sarah Murphy-Dyson) at their old haunt, a park in the working-class neighbourhood where they grew up. She's asked to meet to see if he will take their two girls for awhile, while she goes away to get straight.
If you're a George F. Walker fan (and I am) you've met Bobby and Tina before. THE DAMAGE DONE is the third play in Walker's trilogy about the estranged couple and their travails.
In the earlier plays, TOUGH and MOSS PARK, Tina and Bobby are a young, off-again, on-again couple, struggling to face parenthood.
Nearly 20 years later, Tina has boot-strapped her way out of a childhood of abandonment and privation. She's married a lawyer, got a house, gone back to school, become a social worker, raised two kids - and become an addict. Bobby, a dreamer and petty criminal has gone in and out of work, and in and out of his children's lives. He's trying to write, and dreams of a life without the drudgery of manual labour.
Walker shows, as Dickens did, what poverty does to people. The stress created by insecurity about having one's most basic human needs met traumatizes survivors. Poverty may be behind Tina, but the fear it has created in her has never gone away. In the aftermath of a break-up, it's threatening to engulf her. Bobby, underemployed and slacking, looks like a disaster, but Tina is the one who is falling apart inside.
Berger and Murphy-Dyson have great stage chemistry and inhabit their roles with an authentic physicality, nicely enhanced by Ken Gass' confident, understated direction.
As always, Walker and Gass underline the warmth and humour,as well as the challenges and sorrows of Bobby and Tina's troubled relationship and their messy, imperfect lives.
THE DAMAGE DONE is a clear-eyed and impassioned look at the long-term consequences of an impoverished childhood. I had tears in my eyes at the end of the night.
Saturday night, Red Snow Collective opened COMFORT at AKI Studio, in the Daniels Spectrum Theatre.
Diana Tso revisits a particularly ugly aspect of the Second World War: the so-called "comfort women". Chinese and Asian women were captured by the Japanese Imperial Army and brutally used as sex slaves by Japanese troops.
Tso and her director William Yong tell this difficult story with great artistry and sensitivity, employing dance, live music and Chinese opera to support the well-researched text.
Tso uses the frame of a famous Chinese story, THE BUTTERFLY LOVERS to underpin the love story of Li Dan Feng and Zhou Ping Yang, who cannot be kept apart: not by class differences, parental opposition, or the truly awful catastrophe of war.
Viki Kim and Jeff Yung are very affecting as the star-crossed lovers. The rest of the cast does a fine job in a multiplicity of roles, handling the tonal shifts and physical demands of the various characters with great dexterity. I particularly enjoyed Oliver Koomsatira as Ping Yang's faithful and mischievous cormorant.
The live music by Constantine Caravassilis is wonderfully played by Cathy Nosaty (piano, Accordian),Patty Chan (Chinese violin) and Brandon Valdivia (percussion) and greatly enhances the production.
I felt the second act could have been trimmed a bit, but the ending was heartfelt with out being in any way sentimental or cloying.
The play is not only an homage to the survivors of the comfort women's horrifying ordeal, it's a powerful plea for an end to war.
Aleppo ran out of food this week. The cries for an end to violence can't be loud enough.
These two new Canadian plays by smaller,independent Toronto companies are both well worth checking out.
The Citadel, 304
Parliament Street (south of Dundas), Toronto
to December 11, 2016 (NOTE - No performances on Dec 1 &2)
Tues - Sat 8:30 PM, Sundays at
2:30 PM
Sunday matinees are
Pay-What-You-Can at the door. Tickets are available at
www.canadianrep.ca or by phone at
416-946-3065.
Red Snow Collective presents Comfort until December 10, 2016 at Aki Studio Theatre, Native Earth Performing Arts, 585 Dundas Street East (Daniel’s Spectrum), Toronto, ON Tuesday – Saturdays @ 8pm • Saturday Matinees @ 2pm Pay-What-You-Can Tuesdays
Tickets can be purchased online at nativeearth.ca/boxoffice, by phone at 416-531-1402, or in-person at Toronto Centre for the Arts’ Box Office, 5040 Yonge Street
Tickets can be purchased online at nativeearth.ca/boxoffice, by phone at 416-531-1402, or in-person at Toronto Centre for the Arts’ Box Office, 5040 Yonge Street
